Before Photoshop, there was the Paintbox, shaping the ’80s visuals of Keith Haring, David Hockney, and more. Now, unseen works appear at the British Art Fair, reclaiming its forgotten place in digital art history.
How can digital artworks stand the test of time? Jonathan Farbowitz, Conservator of Time-Based Media at the Metropolitan Museum of Art, shares insights into his practice and offers actionable tips for artists working with technology.
For the first time in nearly 30 years, the Rhode Island School of Design (RISD) is launching a new academic department: Computation, Technology, and Culture (CTC).
Mumbai-based art collective CAMP uses technologies like surveillance CCTV cameras, mobile phones, drones, digital platforms, broadcasting and video to empower
