Curiosity Unconfined: For the Multi-Hyphenate Creative
How can digital artworks stand the test of time? Jonathan Farbowitz, Conservator of Time-Based Media at the Metropolitan Museum of Art, shares insights into his practice and offers actionable tips for artists working with technology.
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When was the last time you enjoyed a great piece of art? Maybe you were in a museum, closely observing
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The exhibition Radical Software: Women, Art & Computing 1960-1991" highlights pioneering female artists who pushed the boundaries of art and technology.
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Can computational art carry forward the traditions of classical painters? Italian artist Davide Quayola believes so. His latest project, Arborescent,
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Multidisciplinary artist Kamil Czapiga, better known as Cosmodernism, mixes chemistry, macro photography, light and sound design to create hypnotising abstract video art.
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In the midst of a loneliness epidemic, AI companions are on the rise. Will they be friends or foes?
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Mixed-media artist and computer scientist Ivona Tau trains her A.I. models with analog photographs, turning generative adversarial networks into
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How can digital artworks stand the test of time? Jonathan Farbowitz, Conservator of Time-Based Media at the Metropolitan Museum of Art, shares insights into his practice and offers actionable tips for artists working with technology.
A group exhibition at the media art centre Jeu de Paume in Paris features 30 artists working with artificial intelligence.
When was the last time you enjoyed a great piece of art? Maybe you were in a museum, closely observing
The exhibition Radical Software: Women, Art & Computing 1960-1991" highlights pioneering female artists who pushed the boundaries of art and technology.
The Digital Delacroix project, uses A.I. to uncover new insights of Eugène Delacroix’s artistic methods and legacy.
For the first time in nearly 30 years, the Rhode Island School of Design (RISD) is launching a new academic department: Computation, Technology, and Culture (CTC).
From 2 April to 25 August 2025, Tate Britain showcases the first UK survey exhibition of multimedia artist Ed Atkins.
Mumbai-based art collective CAMP uses technologies like surveillance CCTV cameras, mobile phones, drones, digital platforms, broadcasting and video to empower
