Quitting the White Cube: One Year After Going Nomadic Robbie Fitzpatrick Takes Stock
Tired of hustle culture, gallerist Robbie Fitzpatrick opts for slow, site-specific exhibitions outside the white cube.
Learn from case studies, new cultural models, institutional shifts, and artists experimenting with technology. Subscribe for weekly insights.
Tired of hustle culture, gallerist Robbie Fitzpatrick opts for slow, site-specific exhibitions outside the white cube.
Since 2015, Black Cube has followed artists’ ideas anywhere–from rural Texas to Nevada’s atomic-testing ground–creating ambitious, site-specific artworks in close dialogue with the local communities.
A growing body of research suggests architecture, design, and aesthetics aren't luxuries, they're essential to our wellbeing.
The media art collective Dimension Plus pushes the boundaries of perception, using remediation as a tool to expand our senses.
yaboihanoi fuses machine learning and Southeast Asian tradition to create electronic music that was impossible just five years ago.
Before Photoshop, there was the Paintbox, shaping the ’80s visuals of Keith Haring, David Hockney, and more. Now, unseen works appear at the British Art Fair, reclaiming its forgotten place in digital art history.
Chulayarnnon Siriphol mixes Muay Thai, performance art, and video to tell stories about Thailand you won’t see on the surface—blending humor, pop culture, and social critique.
How can digital artworks stand the test of time? Jonathan Farbowitz, Conservator of Time-Based Media at the Metropolitan Museum of Art, shares insights into his practice and offers actionable tips for artists working with technology.